Broadway enters an anxious time as labor action threatens to roil theaters

Broadway is a tense place these days after two major labor unions authorized strike action amid ongoing contract negotiations with producers.

Actors’ Equity Association — which represents over 51,000 members, including singers, actors, dancers and stage managers — and American Federation of Musicians Local 802 — which represents 1,200 musicians — have voted in favor of a strike authorization, a strategic step ahead of any work stoppage. No strike has been called.

Members of both unions are currently working under expired contracts. The musicians’ contract expired on Aug. 31, and the Equity contract expired on Sept. 28.

Both unions want pay increases and higher contributions by producers toward employee health care costs, a key sticking point. Actors Equity also wants producers to hire more backup performers and stage managers, add protections for performers in the event of injury and put limits on how many performances in a row actors can be asked to do without a day off.

The health of Broadway — once very much in doubt due to the COVID-19 pandemic — is now very good, at least in terms of box office. The 2024-2025 season took in $1.9 billion, the highest-grossing season in recorded history, overtaking the pre-pandemic previous high of $1.8 billion during the 2018-2019 season. It has been a long road back from the days when theaters were shuttered and the future looked bleak.

The unions are pointing to the financial health of Broadway to argue that producers can afford to up pay and benefits for musicians and actors. Producers, represented by The Broadway League, counter that the health of Broadway could be endangered by increasing ticket prices.

“On the heels of the most successful season in history, the Broadway League wants the working musicians and artists who fueled that very success to accept wage cuts, threats to healthcare benefits, and potential job losses,” Local 802 President Bob Suttmann said in a statement Tuesday.

A strike would cripple most of Broadway, but some shows might continue. “Beetlejuice” and “Mamma Mia!” arrived as part of tours and so do not have a traditional Broadway contract. And shows playing at nonprofit theaters, such as the musical “Ragtime” at Lincoln Center Theater and the play “Punch” from the Manhattan Theatre Club, have separate labor agreements.

The most recent major strike on Broadway was in late 2007, when a 19-day walkout dimmed the lights on more than two dozen shows and cost producers and the city millions of dollars in lost revenue.

More than 30 members of Congress, including the entire New York delegation, have signed a letter urging all sides to bargain in good faith and avoid a strike.

“A disruption to Broadway will result in significant economic disruption to not just the New York metropolitan area but harm theater workers and patrons across the country and around the world,” the letter states.